Despite these signs of age, McCartney III isn't an album about mortality, it's about finding sustenance in rough times. Within these contours, it's possible to trace the distance between the three McCartney albums. Maybe he can't hit the high notes he way he used to, maybe he sounds a bit weathered, but the change in his singing has a profoundly humanizing effect, especially when heard in conjunction with his distinctive drumming and fuzzed-out guitars. Where 2018's Egypt Station was designed with the charts specifically in mind - Paul went so far as to hire producers Greg Kurstin and Ryan Tedder for the record, hoping they'd give him a modern sheen - McCartney III is constructed at a modest scale, the arrangements so uncluttered that it's easy to hear the years on McCartney's voice. Execution makes a big difference, though. This also means McCartney III doesn't quite have the shock of the new the way that the homespun McCartney and synth-laden McCartney II do he's not attempting new forms or ideas, instead returning to themes that have served him well over the years, whether they're plucked acoustic ditties, plaintive piano ballads, or stomping rockers. He doesn't spend the record trying to "Find My Way," as he puts it on the album's second song, but rather simply existing, drawing evident pleasure from the process of writing and recording new music. cartney, paul mc.cartney, paul mccarney, paul mccarthy, paul mccartney & friends, paul mccartney & wings, paul mccartney '76, paul mccartney's allstars, paul mccatrney, paul mccaurty, paul mccartiney, paul mccartnery, paul mccartney, paul m cartney, paul-mccartney, paul., paulmccartney, pauls makartnijs, pmc, poul mccartney, p, r. Certainly, the one-man-band approach unites all three albums, as does their arrival at the dawn of a new decade, yet McCartney III doesn't contain a clear undercurrent of Paul processing change in the wake of loss. The title of McCartney III positions it as a direct sequel to 1970's McCartney and 1980's McCartney II, albums he made in the wake of the respective dissolutions of the Beatles and Wings, a sentiment that rings true in some ways but not in others.
#Paul mccartney discography archive#
It was just, Well, I’ll do it one day.” In 2011, the album was remastered and reissued as part of the Paul McCartney Archive Collection, with a bonus disc of outtakes, demos and live versions, as well as a DVD of documentaries and live performances.Paul McCartney faced the COVID-19 lockdown of 2020 like he faced so many other unexpected challenges in his life: he set out to make music on his own. He said, 'That’s a great idea man, you should do it.' Of course, I never really did. During the Beatles period I’d said to John, ‘I think I should do an album called Paul McCartney Goes Too Far”.
It was very interesting to do and it had a certain kind of rawness, because I was breaking loose after The Beatles, we all got a feeling of that, I think. Go in and do a little bit of stuff and make something up, and knock off in the evenings. I’d just go in for the day like Monsieur Magritte. “The McCartney album was good fun,” Paul remembers, “because I got a machine from EMI, only a four-track, and I just had it in my living room where I lived in London at the time. Notable for the fact that he performed all instruments and vocals himself, aside from some backing vocals performed by Linda, it's an album rich in experimentation, and the original home of ‘Maybe I’m Amazed’. Released in 1970, a month before The Beatles' swansong Let It Be, McCartney was Paul's first solo album.
0 kommentar(er)
